Pub. Date: 19/10/2016
Publisher: Dover Publications
A fan-bearing slave girl, a worshipper of Horus, the wife of a Russian boyar, Ceres, a mermaid, and a gypsy dancer are among the 49 theatrical costumes selected for this tribute to the work of the Russian-born, Paris-bred designer Erté (Romain de Tirtoff). Spanning the years 1911 to 1975, these extravagant, imaginative designs include costumes for well-known personalities, Folies-Bergère shows, editions of George White's and ballets.
Many exotic and historical fashions include Egyptian, Chinese, Persian, Japanese, Russian, and French styles. The lavish, flowing costumes are complemented by different colors to create different moods: deep, lustrous purples, reds, and browns for dynamic, vibrant figures; ochre, sienna, orange, and beige for more formal characters; and pale blue, lavenders, greens, grays, and blacks for people of mystery and hidden powers. As dazzling as Erté’s color graphics and as witty as his fashion designs, this compilation merits the attention of costume designers, artists, theater people, costume aficionados, and all who appreciate the treatment of costume design as a fine art.Erté's Theatrical Costumes in Full Color is a great coffee table-book, in all the best ways. Coffee table-books are often ridiculed, as if being placed on a coffee table implies a sense of neglect or 'I don't really care'-attitude. In our house, the books placed on the coffee table were treated with a completely opposite attitude. These were the books you enjoyed looking through, whose illustrations could capture your attention until your coffee was long cold. They were also the types of books you'd enjoy guests looking through, always with a sense of 'look at the beautiful things I read'. It is in that sense that I call Erté's Theatrical Costumes in Full Color a coffee table-book.
I absolutely loved looking through the illustrations in this book. Ranging across the world for inspiration, Erté's costumes are incredibly vibrant and stunning. What I loved was how all of it looked so elegant and intricate and yet so fluid at the same time. With no stretch of the imagination could I see these costumes in motion on the stages of ballet and opera houses. At the same time these costumes had a theatricality to it that I would like to see in more movie costumes. Especially the Octopus costume was brilliant, in that it both actually looked like an octopus while still being a costume. I know that sounds like a stupid statement but you have to see the sketch to know what I mean. Naturally this is a book only for those who enjoy costume design. If it is not your thing of course you won't enjoy this, but if even the slightest part of you also loves the theatre you will get some pleasure out of this book.
I give this collection...
Overall this was a great collection of prints. Although there is a lack of information to them, regarding when they were designed and for what etc., they are stunning on their own. I would love to own a hardcover of this book. 3 Universes is due to how selective the readership for this collection is and that it is largely a photo collection.